P5


This is my off line edit of the Nintendo switch advert for unit-15.

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D1 Legal and Ethical issues:   This document is created so that the advert doesn’t bring bad impressions to my target audience and shutdown an entire advert. Legal and Ethical issues could result in being fined, bad impression to the target audience, shutting down the entire project, Copyright and even more.   Copyrighted content will not be included for the sake of not causing any trouble with the owners of said content. If any copyrighted content will be needed for use, a request for permission will be sent to the owner and will ask them to sign a consent form just in case if things go around. As said in the laws of copyright, if I were to use copyrighted content without paying for use, asking for permission or credit them in some sort of way, wherever the said content has been included, the advertisement will have to be taken down.   In the advertisement there is only one person shown on camera and was asked for permission if said person could appear on the c...
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Unit 10 - Animation

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LO1 - P1 - Write a report on the techniques used in animation Rotoscoping Live action animation Structure Introduction Summarise technique  - What tools/techniques and software are used  - Find examples of the technique in use and explain them. How effective/relevant are they in 2022  - Time taken to animate  - Skill required  - How much can you earn as an animator in that role  - Conclusion - which is best for what circumstances and why? Introduction In this report ill be looking into two different animation techniques that are used in films, short films and music. Rotoscoping Rotoscoping is one the techniques in animation that is used to make live footage appear as it's inside an animation. It was invented by Max Fleischer in 1915 and was used in making "Out of the Inkwell" and animated series which lasted from (1918-1927) and was know as the "Fleischer process" and was exclusive to Fleischer for several years. It allowed him to make more realistic animat...
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